Posts Tagged ‘animated shorts’

Award season is winding down, and I have seen NONE of the best picture nominees this year, so I figured I should at least make an attempt at one of the categories. I ended up going to see the Oscar-nominated animated shorts, since I went last year and it was pretty fun.

Unfortunately, this year none of the animated shorts really blew me away. I found most of them rather blah, actually. Also, a surprising number of them were from the USA, and the others were from England and Canada (and maybe one from Norway?). Can’t say I’m surprised, considering the nominations in the bigger categories. Yeah, ok, so the Academy Awards are hosted by Hollywood, but would it kill them to consider diversity a bit more?

But I digress. This is about the nominated animated shorts, and the runners up, and my film-uneducated opinions of them.

Oscar Nominated Animated Shorts 2015

The Bigger Picture

The Bigger Picture

This short was from Great Britain, and probably had the most interesting art style. It was part 3D, part 2D, but I thought they did a cool job of blending them together. The story is of two brothers, one who takes care of their aging mother, and the other, who appears to be the favorite, and takes all the credit for the care. While I was impressed by the art style, the story was not unique. It didn’t add anything to this story, which has been told many times before. The mother dies, neither of her sons were with her, it’s very depressing and tragic, but in the end the brothers reconcile (the reason why was not very memorable), and then it’s over. This one felt like Oscar bait to me, so I wouldn’t be surprised if it won, but I don’t think I’d mind either.

The Dam Keeper

The Dam Keeper


The Dam Keeper is about a town full of anthropomorphic animals, and focuses on the children. One of them is the Dam Keeper, a pig. The only pig. And he’s an orphan child. So already we’re supposed to feel bad for him, and then he shows up at school and all the other kids make fun of him, because he’s a pig. Also a little bit because he’s often dirty because he works at the dam, but mostly because he was a pig. Let me remind you that all the characters are animals, and the pig was one of the cuter ones. The new girl, a fox, befriends him, but then the pig thinks she’s betrayed him, and he lets his dam duties slide. For some reason, this dam keeps away noxious fumes, so when he neglects his duties, the fumes enter the town below the dam and everyone starts getting sick. Eventually he realizes that she HADN’T been mean to him, and he rushes to save the town and fix their friendship. It ends happily enough. But again, this was a very tired story, and the animation was not all that impressive to me. I’d be surprised if this won the Oscar.




Of the animated shorts that actually got nominations, this one was far and away my favorite. Feast was Disney’s contribution to the animated shorts, and it was MUCH better than what they gave us last year. The style was typical of Disney’s animations, so it was very clean and well-practiced. It tells the story of a dog owner and his love life as seen through the eyes of the dog. The owner finds a stray puppy and lures him into his home with delicious french fries. The puppy grows up accustomed to other scrumptious human meals and snacks… until the owner gets a girlfriend who is super into healthy food and only gives the dog veggies on top of his regular dog food. The people split up, and after seeing how sad his owner is, the dog finds a way for them to meet and reconcile, despite his distaste for her food. Eventually the happy couple gets married and has a baby, who becomes the dog’s new best friend. Like many other babies, this one finds great joy in spilling its food on the floor, straight into the dog’s waiting jaws. This was a super adorable film, and I enjoyed it for that alone. I wouldn’t be surprised if it won by virtue of the very well-done animation, but it wasn’t that unique. I’d be happy if this one took the Oscar, even though I’m not a huge fan of Disney.

Me and my Moulton

Me and My Moulton


I found this animation to be the most boring of the bunch. It is simply one girl telling the audience about a short period of her life in which she and her sisters wanted a bike. Spoilers: they get a bike. There were a few funny bits, like when she tells the doctor she feels sick because her dad has a mustache and no one else in the town does. But it’s the kind of story that only really feels interesting or important to the person living it. The narration was dull. The animation was simple, but clean. But I was bored.

A Single Life

A Single Life


This was maybe the most entertaining of the nominated shorts. A Single Life is a very short animation about a woman who finds a record that, when played, can speed up or slow down her life, depending on which direction it’s played in. She jumps from young adulthood, to childhood, to parenthood, to old age, to death. It’s pretty funny, and I like how simple the concept was. The animation style was also a little different, which I liked. I’d be happy if this one took the Oscar.

Runners Up:

Like last year, I found I liked the runners up better than the shorts that actually got nominated. Oh well.

Bus Story

Bus Story

This story was told in a similar style to Me and My Moulton, but it was considerably more humorous, if totally strange. It tells the story of a woman who has always wanted to be a bus driver, because she wants to say hello and wave at people and things. She finally gets her wish, but it turns out she’s pretty terrible at it. The students are weird, she breaks a mirror, she runs over a dog, and eventually she lands the bus in a ditch. It reminded me a bit of that Ed, Edd, and Eddy cartoon that used to be on Cartoon Network back in the days I used to watch that channel, at least in style. It was fun, and I wish it had been nominated, despite how weird it was.



I really liked Duet. It was a really pretty, fairly simple animation style. It tells the story of a boy and a girl from birth to adulthood – their separate lives, how they finally meet and, of course, fall in love. The animation was very fluid, and each scene morphed into the next. The story itself was not that unique, but I liked the way it was presented. This deserved a nomination.



The story was funny, weird, and a little mind-bending, but the animation style hurt to look at. It was that weird shaking sketch-and-watercolor style (if that description doesn’t make any sense, watch the trailer, you’ll know what I mean). It’s the animated version of shaky camera, and it was really distracting and obnoxious to look at. Footprints is about a man who is woken by something breaking his window. He immediately leaves his house and searches the globe for the “creature” that committed the crime. The whole while, we see this monster evolving and growing in the man’s imagination. Eventually, he thinks he’s found it, and shoots it, only to discover that he’s shot at his own house. HE was the monster who broke his window all along. See? Mind-bendy. It may not have been great, but at least it was interesting. I’m not offended that it didn’t get a nomination.

Sweet Cocoon

Sweet Cocoon

Sweet Cocoon might have been my favorite of all the animated shorts we saw. The concept was simple, the animation was pretty and well-done, and the ending was excellent. This short tells the story of two bugs trying to help a caterpillar fit into its cocoon so it can turn into a butterfly. The caterpillar is a bit too bulbous for its cocoon, and so it is a great struggle, and therefore pretty hilarious. Eventually, they succeed, and the two bug friends watch as the caterpillar emerges as a beautiful butterfly. Everyone is pleased with their efforts, and everything is great. That is, until a bird flies up and snatches the butterfly out of the sky. None of them saw that coming. I wish this short had gotten a nomination.

And now it is time for the red carpet! Time to make burritos and live tweet the event!

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Last week I reviewed the Oscar-nominated Live Action Shorts for 2014, and today I’m reviewing the Oscar-nominated Animated Shorts. These were much more fun to watch, and they included 3 runners-up. I also claimed last week that I would ignore the rest of the Oscars after this post, but that was before I found out Ellen is hosting! She’s hilarious, so I’ll probably watch it just for her. And the dresses. Because that’s really the most important part, right?

So, without further ado, I give you my reviews of the 5 Oscar-Nominated Animated Shorts:

1. Feral – USA


Children are terrifying enough without making them feral wolf-children. I wish that was all I had to say about this one, but I actually really liked the animation style. It looked like it may have been hand-drawn, and it was able to tell the story without any actual lines of dialogue. In this story, a city man finds a feral child in the woods, who appears to think it’s a wolf. The man takes the child back to the city, dresses him up like a child, and sends him to school. But children are cruel in the world of this story, and they pretty much just torture the feral child and laugh at him. The feral child runs away in fear, and then transforms into a series of different animals, which I think is the highlight of this short film. In conclusion, the artistic style was interesting and very well done, but the story was mostly just creepy, and didn’t have a whole lot of substance. But then, I’m not that into symbolism and things, so undoubtedly other people got more out of it than I did.

2. Get a Horse! – USA


Not going to lie, I absolutely hated this one. Possibly this is colored by the fact that I was really excited to see Frozen the first time I saw this short film, and I therefore viewed it as a waste of my valuable time. It doesn’t help that the plot is incredibly boring and repetitive, and pretty much treats Minney as an object to be won. But, sexism and repetition aside, this film showed an interesting intermingling of several different animation styles, showing the evolution of Disney since it started a million years ago with Mickey Mouse. I don’t think it has a chance to win amidst the other animated shorts.

3. Mr. Hublot – Luxembourg/France


Steampunk made it to the Oscars! (Forgive me if this happened a couple years ago, as I haven’t paid attention to them over the last few years.) Of the five nominees, this is the one I hope to win. Mr. Hublot is an extremely OCD mechanical man, living alone in his adorable little apartment. His dilemma begins when he hears a sad robot puppy out in the street, completely ignored by everyone passing by him. When the puppy is truly in danger, Mr. Hublot abandons his mundane daily tasks and rescues the robot puppy. The attention to detail in this animation, subtle handling of OCD, and its ability to tell the story without a bit of dialogue were brilliant. The story was clear, and leaves nothing unfinished. It really was the most creative and original of the bunch. I really want it to win, and I think it has great potential to do so.

4. Possessions – Japan


This film is based on an old myth that tools will gain souls after 100 years, and begin to play tricks on their owners. A repair man traveling through a forest takes shelter from a storm inside a little shack that appears to be cluttered with a random assortment of abandoned things, like umbrellas and lengths of fabric. I haven’t seen very much anime, but this has the appearance and feel of all the ones I’ve seen, so I wouldn’t say its animation style is unique in that respect. The man goes through a couple hallucinations (?) with spirits and ghosts, in which he must repair a series of items in order to get out of the shack after the storm. It was pretty fun, especially when the tiny frog spirit appeared. The dragon made out of all the random odds and ends was pretty cool, too. I liked how the big, tall, muscular repair man had to solve all his problems by sewing and praying to the spirits in the shack. If Mr. Hublot doesn’t win, I’d bet on this one.

5. Room on the Broom – United Kingdom


The claymation in this film was fun, but the plot was not very engaging. Room on the Broom is based on a children’s picture book, and it is quite obvious. The film is narrated by Simon Pegg, and it tells the story of a witch and her cat, who have a terrible habit of dropping their belongings and picking up new passengers on their broomstick. Oh, and there’s a dragon. This was very cute and sweet, and like I said, the claymation was very well done, including the landscape. I can see why children would enjoy it, but I found it terribly slow until the dragon catches up to them, and they must work together to save the witch from certain death. The new broom they have to make in the end was pretty sweet, too, with high-backed chairs and other entertainments for the passengers. That said, I don’t think this was the best adaptation of a children’s book to film. The pace for the first two thirds of the film was extremely slow, and it definitely could have been tighter. I don’t think this is Oscar-worthy.

And the Runners-up:

1. A la Francaise – France


Chickens in Versailles. Need I say more? Ok, I will. This film depicted Versailles in its prime, with elaborate dance parties, games out on the grounds, and loads of gossip. But instead of people, all of the characters are chickens. I found this very short film highly engaging and entertaining. The chickens’ costumes, hair, and makeup were priceless. I honestly thought this one deserved an Oscar more than a few that were actually nominated. If you get a chance, it’s a fun watch.

2. The Missing Scarf – Ireland


This one was my absolute favorite, and not just because it was narrated by George Takei. The animation style was very geometric, including an origami squirrel. This film starts out as an innocent story of a squirrel searching for his scarf. He runs into several of his forest animal friends, and helps them solve their own various fears (the owl is afraid of the dark, and the fox is afraid that none of the other foxes like him, etc.). The friend’s problem is solved, and the squirrel continues his hunt for his scarf. It seems an innocent children’s story, until the squirrel runs into his friend the bear, who fears the end of the world and the universe. It is all very dramatic and exciting, and narrated by George Takei, which makes it that much more crazy fun. The squirrel appears as though he’s just going to give up on this one, and then suddenly returns an equally robust argument about why the bear’s fear is absurd. While everyone else’s fears are resolved, the bear has only just begun to understand and move on from his fear. At this point, the squirrel decides he no longer needs his scarf, and then the world ACTUALLY STARTS ENDING. Complete with fireballs. Beware of showing this to your children, lest they end up like the bear. But really, I loved this animated short. I wish it had been nominated, not only for its style, but for the story as well.

3. The Blue Umbrella – USA

blue umbrella

Last but not least, we have The Blue Umbrella, which is a short romance between a blue umbrella and a red umbrella. The story was not that exciting (they meet, their humans start walking in opposite directions, the blue umbrella gets upset and allows himself to get carried away in the wind in a desperate attempt to find his red lady love), but the animation was astonishing. I’m still not quite convinced that it WAS animated, aside from the umbrellas. The streets and buildings and cars and everything look real. That alone should have gotten it a nomination, but I guess it was just too adorable for the academy.

Well, there you have it – my reviews of the Oscar-nominated animated shorts. I have reviewed the live action shorts here. If you’re headed to an Oscar party where predicting all the winners could earn you a jackpot of money, I hope this helps. I don’t pretend to be a connoisseur of high literature or film, but I know what I like, and I can make predictions of which films are “Academy Bait.” I look forward to watching the show on Sunday!

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